.png)
TOM GOODKIND
BAND FACTORY SCHOLARSHIP
Tom Goodkind & the TriBattery Pops
About
The Harry Lookofsky Memorial Scholarship
This scholarship fund was created in memory of longtime Downtown NYC leader, musician, and CSSMA parent Tom Goodkind. In partnership with the Goodkind family, this scholarship honors Tom's legacy as a musician, band leader, and community advocate by providing a year's tuition for one student to participate in a Band Factory ensemble. Awardees must also volunteer their time to the community during their scholarship term.
Who is this scholarship for?
The Tom Goodkind Band Factory Scholarship is for students aged 8 – 18 with a demonstrated skill level in their chosen instrument and commitment to learning the art of band performance. This scholarship is based on merit.
How to Apply:
Students eligible for the Tom Goodkind Band Scholarship are nominated by Church Street School's Band Factory Coordinator Phil Stewart and Executive Director Dr. Chrissie Placilla.
Nominees must submit the following to our panel of judges to be considered:
-
A video audition
-
A letter of interest, written by the applicant in their own words, expressing why music, and this scholarship, are important to them.
A single prize, tuition for a full year of Band Factory at CSSMA, is given annually.
"We appreciate that the mission of CSSMA is devoted to bringing music to people of all ages and levels, whether exposing them to the experience of music for the first time or giving them the opportunity to develop themselves further in their skill and expression. Harry was all about authenticity and quality. He was naturally musical, but he followed up by practicing—a lot!"
-- Sherry Lookofsky, Harry's Wife
About
Harry Lookofsky
Harry Lookofsky (October 1st, 1913 – June 8th 1998) was a talented and unique violin player whose career spanned musical genres, styles, and formatting, weaving together a unique artistic journey and voice that was distinct, and in many ways ahead of its time.
Born in Kentucky, Harry began performing at a young age and was something of a local child star in St. Louis, Missouri, where his family moved in his early childhood. On Saturday nights, at age 12, his performances with a local trio were broadcast over the local radio station. Growing up Harry also performed with a local youth orchestra, and toured Missouri and Illinois on weekends.
In 1934, after touring with dance and vaudeville orchestras through the early 1930s, Harry joined the St. Louis Symphony Orchestra. He performed with the group for four years before heading to New York to join famed conductor Arturo Toscanini’s NBC symphony Orchestra. Harry played at NBC for 12 years before moving on to become concertmaster at the ABC Symphony from 1952 until the network eliminated their string section. During this time Harry was also a fixture at New York City jazz sessions, recording with musicians like Coleman Hawkins, Sarah Vaughan, Ben Webster, and Donald Byrd.
Harry released a multitrack EP under his own name in 1954 titled Miricle in Strings. It was arranged by Quincy Jones who would go on to become a lifelong collaborator. Some of Harry's other credits include Marvin Gaye's "What’s Going On” (1970), Tony Bennett’s “Who Can I Turn To” (1964), and his own album Stringsville (1958), which is now touted as one of the foremost and singular jazz albums of its era despite being largely overlooked at the time of its release. Harry spent much of his later career as an active session musician, becoming the top contractor of studio musicians in NYC for many years. He died in 1998.
